“It was the very first song I wrote with Maurice White. Moment and gave her a career-changing lesson in songwriting, as she battled The last time, he looked at me and he sang, ‘Do you remember …’”įor the young songwriter Willis, “September” was a life-defining Then he said, ‘Play it again.’ And I kept playing it for him. I brought it to Maurice, and he liked it right away. (I) went to my studio, set up a groove, and it just came piece by piece by piece. “It was one of those mornings,” McKay told Spotify in 2018.
Despite the chord changes, nearly all the notes in the verse structure fit within the chords in the chorus. The D chord in the verse shifts to its relative minor, a Bm7, and the C#m7 moves to its relative major, an E major, while the C#m7 and F#m7 in the second bar of the pattern remain the same.
When the chorus rolls around, the repetitive chord pattern shifts ever so slightly and in a creatively brilliant manner.
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The full pattern then ends with a beautiful Gmaj7 over an A bass note, creating suspense leading into the verse. Verdine White even adds that important note, an E#(F), the one that moves it from minor to major, on the bass, adding even more tension. Astute musicians will notice one slight change when the pattern comes around the third time and the second C#m7 becomes a C#7, perking the ears. Bassist Verdine White, Maurice’s brother, then enters with an octave bass riff, a flurry of horns set up the vocal and the song is off.Īn almost repetitive D-C#m7-Bm7-C#m7-F#m7 two-bar chord pattern creates a hypnotic loop that begs you to stay on the dance floor. The first few bars of the song feature a keyboard outlining chords, a cowbell keeping time with quarter notes and two guitars, one playing octave A notes while another riffs a funky, sliding staccato single-note line. McKay, the band’s guitarist, created the song’s musical structure on his own in his home studio. Written by Al McKay, Maurice White and Allee Willis, “September” combines soul, R&B, jazz and funk and turns it into a dance-pop masterpiece.
And like a recurring Christmas classic that comes around every year, its specific “21 st night of September” reference has led to an annual virtual celebration, including a new remix debuting today on the band’s YouTube channel.
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In the ensuing 42 years though, the energetic bundle of joy has taken on a life of its own, with multiple movie and TV placements, and is a certified wedding band staple.
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1 record and cracked the top 10 when released in 1978. The song’s undeniable groove focuses on a carefree ‘living in the moment’ philosophy, its lyrics focus on remembering the good times of the past and it’s topped off with a nonsensical ‘ba de ya’ phrase, a placeholder lyric that never left its spot and helped the song become a singalong anthem.įilled with a funky groove and hooks galore- octave guitar and bass parts, silky and slick keyboards, a singalong melody, Latin-flavored horn lines and a repetitive, circular chord pattern - “September” was included as a new song on the band’s Best Of Earth, Wind & Fire Vol. It’s a song guaranteed to get you on the dance floor and party all night, but the Earth, Wind & Fire classic “September” has its roots in spirituality just as much as the primal urge to boogie.
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